HANDCRAFTED HISTORY


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Medieval camping adventures

Come with us on a trip through Sweden and see how we live in a historical tent for one week! (And get my best tip for making your camping adventure a success!)

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One of the things I really like with our hobby is the historical camping on different events and markets. During Double Wars we packed the car and a trailer with all our camping gear, a friend and his stuff, some extras, a picnic bag… and then began the drive down to southern Sweden.

Geographically we live in the middle of Sweden, but that doesn’t mean it is close to all events, this drive took us about 15 hours, and we chose to split it up on two days, with some sightseeing in the breaks. Because we traveled with lots of gear we chose to stay at a hotel along the road, where we could lock the car and trailer in a secure place.

  • planning breaks or overnight stays along the way makes the trip much more smooth, and you wont get dangerously tired while driving. Remember that you may want to leave your packing in a secure space during the night.

Finally at site, we could drive in to our designated place and dump everything out from the car and trailer. It is common that you may drive in and out from sites before and after the main event, but during the week/weekend when most people have come, you may not be able or permitted to drive all the way in to camp. This is both because the cars may not have space enough to drive in, but also because it makes the historical encampment much more boring if cars will roll by every day…

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  • check with the schedule when you will arrive/leave and if you may drive in your car close to the camp then. It is no small task to carry everything in by hand…

Once everything was out in the grass we could set up our pavilion and get everything in place. The new pavilion was way more expensive than our previous, home-made tent, but we are really satisfied with it, both the quality and how much room we have inside. Our friend E got a section of his own, and we hade a sleeping area with draperies and a double bed.

  • to make the building of camp run nicely; bring good shoes, gloves, a snack, something to drink and extra ropes, pegs and the like. A sledge/hammer, shovel and knife are good tools to have close by. Also bring a cover for your things; if it rains everything will get wet!

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Our new home is done! Except the tent we also had a small outdoor kitchen area with a sunroof, table, benches, a fire pit and cooking gear. We didn’t bring everything by ourself, we shared the camp with friends.

  • The question is always; what to bring and what will I need? Of course, packing space and the amount of things you own is an important matter, but always try to plan your trip for “worst case scenario”. What kind of clothing will you need if the nights are cold? For keeping dry? What kind of bedding to keep warm and comfortable during the night? Maybe some medicines if you get a cold or a stomach flu? To be wet, cold, sick or sleep bad during an event never makes it fun. Makes these things your priority when packing, and then fill up with pretty clothing, extra kitchen wares, nice flags and more.

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This is what the tent looked like inside while we were moving in. We like carpets on the ground to have something dry to put down items and feet on. Under the bed we also had a plastic floor (a tarpaulin) to protect camping gear and the bed from wetness. It is very practical to have a part of your tent that will always be dry no matter the weather outside! In the wooden bed we use two modern mattresses that is easy to pack, and makes us sleep very good during long stays. Over them we have our sheep skins and then sheets, covers, blankets and feather pillows.

  • Sleeping good is very important. I discovered that feather pillows and duvets covered in woolen blankets makes for the perfect warm and cozy bed. I make sure to cover the bed during the day with a woolen blanket to keep air moisture or rain out, and always bring a sleeping hat/cap, extra woolen socks, and ear plugs to have a good night sleep. Don’t survive outdoors, instead enjoy outdoors!

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And done! I like to be able to hang things inside the tent, to have a table to put things on, and some sort of storage for food, dishes and other items. Without storage the tent will be impossible to live in after a few days…

  • Outdoors I say? Yep; there will be bugs and small things coming inside. Avoid some of them by keeping the food stored away (we use plastic bins for that, hidden under the bed, under a cloth or inside baskets). I also hang my laundry or store it dry, keep the jugs and bottles upside down or closed and shake out my shoes before I put them on in the morning. A mosquito net over your bed can be a real saver, lets children sleep well, and take almost no space in your packing.

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Shared joy is double joy! (in Swedish a proverb; “delad glädje är dubbel glädje”.) Share the camp with friends (new or old) and bring what you have in furniture, kitchen gear, wood and the like. Maybe you want to arrange the best wild-onion-swinging-partycamp ever, the largest childrens-picnic or an elegant cocktail party theme? Be sure to tell your friends and neighbors of your ideas of beforehand and get their approval, to have all the festivities at the same time might be a bad idea…

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  • Try to make some activities with the whole camp you live in. Maybe cooking together, share a meal, have a small party or just hang out. During festivals, markets and SCA events there are lots of things to see and do, but some of the best memories from my adventures come from hanging out with people I like, without doing anything special!

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Getting to know new people. Maybe you don’t have lots of friends to share your historical adventures with yet? Well, go out and find some! Meeting new people and making new friends can be hard and tiring, but also rewarding. Here is my best actions to do so during SCA events. (The photo above is from a handcrafting picnic during Double Wars.)

  • Check out the schedule, and attend the activities that sounds interesting. Maybe you don’t have the right gear or knowledge; show up anyway really early and ask the organizer if there is anything you could borrow or some try-outs before or after. I like sewing meetings and picnics, archery and parties.
  • Join big gatherings like courts, open practices or handcrafting picnics. Ask questions, be interested, mention that you are new/would like to get to know people/love embroidery or whatever you like.
  • Don’t take a no or a turn down personally. Maybe you misunderstood and the meeting was just for kitchen staff, or that interesting handcrafter you met yesterday now has a terrible cold/migraine and don’t want to hang out. Thats ok, it is not you.
  • Help out. You don’t have to be a slave, but it is a good way to make new friends while doing things. Maybe the kitchen needs a helping hand (that is where the party is, right?), someone needs some help with carrying, or organizing a game/practice/cake eating contest or whatever. When people (especially swedes) work, they tend to be more talkative. And you have something in common!
  • Be generous. With your time, attention, knowledge, friendship and what you have. If you attend an open picnic; bring some cookies. If you are going to an open party; take something to drink or share. Maybe you don’t know shit about medieval clothing, but you know a really fast way to mend socks? Share around!

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Time to say goodbye? When the event comes to an end, it is time to pack everything together, say goodbye to all new friends you made and begin the journey home. Be gentle and kind to yourself when packing and traveling; nothing is worse than tearing down a camp with panic, being sick or tired after a party night that was a bit late. Allow yourself plenty of time, food and a good night sleep before a long traveling day.

  • Plan your travel with extra time if something goes wrong. A wet camp is slower to pack than a dry one, bad weather or heavy traffic can slow things down.
  • Consider when to pack and take down your tent. During the day the tent fabric dries out and the risk of mold is less, maybe it is possible to take down the tent during high noon? If early done, you can always attend one more picnic..?
  • Allow the driver a restive night, to travel safely. Plan snacks, and breaks or change of drivers if you travel far.
  • During some events, everyone wants to leave at the same time. This means it might get crowded, busy and hard to drive the car inside the camp. Check with the organizers what time could be good for packing and bringing out your camp.
  • Always clean after yourself. Clean your campsite, fill out fire pits, take away trash… and then lend a hand to cleaning some common space that you have used during your stay (like a toilet, kitchen area, sweeping). When everybody does this, things get really nice and efficient.

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And last but not least; when you have arrived home remind yourself about how awesome your adventure was while doing laundry, cleaning and unpacking. It might be a bit tiring with adventures…

 

 


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Sewing machine school- part 1

The sewing machine is a tricksy being, with a mind of its own. On the paper it promise to make whatever your heart desire, but home alone it tend to do as it pleases… Happened to you? It does not have to be like that!

In my Sewing Machine School I will give you all my best tips for making friends with the sewing machine. As a sewing crafts teacher I have great experience with dealing with struggling pupils… And struggling machines too.

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in the beginning:

  • Before sewing, make sure the machine is correctly threaded. It is easy to miss a part, get a loop or lose the tension. Use the instruction manual if you are unsure, or even better-check out youtube to find a video on your model! Older models may be available on internet as free pdfs, or check in with the sewing machine store.
  • To check the tension of the threads, pull carefully at the top and bottom threads. They should be moving but with a slight resistance. If everything seems fine, try sewing on a scrap bit of cotton fabric. Fine? Then try out a scrap bit of the fabric you intend to work on. Check to see if you need to make adjustments in the stitching length, or the presser.

A short note about caring:

It is very important to take care of your sewing machine! Wipe it down and clean it after each project. A can of compressed air is perfect for blowing away dust inside the machine, and a small brush can be used to remove threads etc.

You can also grease your machine with a special sewing machine oil, to make it run smoothly for longer periods of time, between the paid services. Do this after each sewing project or sewing period, and you will have a machine that runs smoothly. (Note; it is very important to use sewing machine oil, and to only apply small drops of it in order to not stain your fabrics after. If you are unsure if you might have applied to much, sew in a scrap fabric piece first.

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Change the needle after each big project (like a dress) or if you have accidentally pulled your fabric so the needle touched the machine going down. A sharp needle will make the seem prettier, more even and make the sewing easier.

While working:

Always start with a scrap bit of fabric to check the stitches and the tension. The threads should lock with each other in the middle of the fabric. If not, try adjusting the tension of the upper thread first.

Adjust the presser according to the fabric. Thick woolen fabric needs a lighter presser than thin silks. If the presser is to hard, your upper fabric will be pressed forward during sewing. If you have a problem with the fabric pieces always ending up different in lenght at the end of the seam, this could be your problem.

The feeder teeth underneath your fabric moves the fabric during sewing, but some machines also have an upper feeder that you can attach to the presser. Check to see if your machine have one, or if you can buy one. This is a very good device as it helps get the fabric even during longer seams. (If you dont have one, pinning the fabric pieces before sewing helps really nice too)

Use a needle fitting for your project. Thinner needles for fine linen and silks, a bit sturdier for wools.

Are you unsure about thick layers or sharp corners? You can always sew “by hand” on your machine. Instead of using the pedal, use the wheel on your right side, pulling it towards you. This makes the machine go very slowly and you will have plenty of time to check were you go and if the needle can take all the layers without breaking. Once past the hard part, just use the pedal again!

Be attentive to the sound of your machine. It should run smoothly and even, if everything is ok. When you have learn your machine, you will quickly discover if anything is amiss.

If sewing together two pieces for a dress (like a straight panel and a diagonally cut gore) always put the part that stretches the most (gore) under the other part. This will lessen the risk of the parts stretching out uneven, and make the seam a bit nicer.

To turn in a corner: Stop were you want to turn, and lift your fot from the pedal. Move the needle down into the fabric with the wheel, lift the presser and adjust the fabric to the new direction. Let down the presser, and continue forward with the pedal. The needle hold your fabric in place while turning and make sure the seam continue nicely.

This was my first part, and whenever I have the time I try to translate more sewing tip for you. Do you like it? Consider supporting me by Patreon, to make it possible for me to create more free tutorials!

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For Sale

I am putting up some items for sale, mostly things I have been making as projects, for tutorials and such. Good historically clothing, everything is worn and priced after their condition. Most items you might have seen already here on the blog, and now they are looking for new homes to give room for new projects and tutorials!

A 15th c coat in brown woolen twill. Handsewn with linen thread. Made after historical models, edged with white rabbit fur from an environmentally and animal friendly farm. Clasp in neck in bronze after 15th c finds. European size 36/38, or small. Bust measure recommended between 80-100 cm. Loose and flowing, lots of fabric. Price: 240 Euro/ 2500 kr. Want to order a new one in a colour of your choice? 335 Euro/ 3500 kr.

More info; https://handcraftedhistory.blog/2018/11/29/the-15th-century-coat/

 

A green woolen dress/kirtle in a thin twill, linen lining inside. Handstitched with linen thread, closing with hooks and eyes. After historical models, 1450-1470. Size: Europeian 36/38, waist around 78 cm, bust 90 cm (a couple of cm in difference is ok, can also be sewn in by the side seams) for a 160-165 cm long wearer.  380 Euro/ 4000 kr ,machine washable.

More info: https://handcraftedhistory.blog/2018/11/21/making-a-15th-c-dress-with-a-waist-seam/

 

A blue woolen dress/kirtle with short sleeves, after paintings by Rogier van der Weyden, 1450-1460. Handsewn, lined with linen on the upper body. Short sleeves, lacing at front. Size: eu (34) 36, Waist 76 cm, bust measure up to 90 cm/65 EE, supportive upper body. Can be taken in by the side seams. Lenght of wearer: 160-165 cm. Machine washable, good condition. 380 Euro/ 4000 kr.

More info: https://handcraftedhistory.blog/2018/11/18/kirtles-and-dresses-during-the-15th-century/

 


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Workshops this spring

Just wanted to give you all a quick update about some of my plans this spring!

Between 8-10 of March I will be holding a workshop in medieval clothing in Norway; check out this event for a weekend of fun, new knowledge and lots of sewing!

https://www.facebook.com/events/2338507499771965/

I also have a weekend of tablet weaving in my hometown; https://hemslojden.org/activity/keramik-2-2/ were we will be doing lots of practical handcrafting, look into some historical finds, have fika and meet new friends.

Both workshops have their own way of booking by their site- just wanted to show them here for you!

 

 

I also have some free time yet before the summer for weekend workshops with your group or at a location of your choice. Just send me an email if you are interested, to linda.handcraftedhistory @gmail.com. I also have time to make a couple of outfits for customers, so are you planning to order some clothing for yourself before summer now is a perfect time to do so! (waiting time is now until early May)

Then my main market season will start, and am I looking forward to that! Medieval tents, summer winds, lots of happy people, swimming in lakes… Yes, please! Let’s hope the spring and summer will arrive soon here!


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15th c clothing for men

Love got some new garments for his 15th c outfit this autumn. Do you remember the wedding outfit he had, with the silk doublet?

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It is a bit fancy for the everyday outdoor event, so now I made him a wool doublet with linen lining. It is based on period artwork, such as this painting by Rogier van der Weyden (St. John Altarpiece ca 1455-1460)

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The doublet has a couple of bronze buttons in the sleeves so he can open them if he needs to pull up the sleeves when doing dishes, and the front is closed with lacing in silk. It is not as tight fitting as the silk doublet, giving him more freedom of movement (or adding some weight in the gym)

He also got a wool coat with linen lining and fur trimming, based on several paintings by van der Weyden, like this one that is a portrait of Nicolas Rolin (Beaune Altarpiece ca 1450)

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The black, fur trimmed coat seems to be one of the most fashionable garments during this period, you can see it on several men in portraits and religious scenes.

The belt is similar to the one in the painting, made in bronze and black leather. It was mostly this detail that made me do the coat, and since the belt set was a wedding gift from our friend H-G it seemed like a good combination.

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In combination with his black pilgrim hat the outfit gets quite striking, but maybe a bit black. A red hat or chaperone perhaps would do the trick? Or red pants?


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Getting dressed in the morning

Follow me on one of my historical adventures and take a look inside our medieval pavilion, to find out what I do in the morning to get ready- medieval style! (Yeah, just like a regular blog person I post getting-ready photos and todays-outfit. I just do it in my way… super serious, promise!)

When the sun rises it gets bright, and during summer it also gets quite warm in the tent, if the sun shines on the roof. Our new tent is a little better; you can easily sleep until 9 if you don’t have to rise early for breakfast duty. We have curtains to create a sleeping area in the tent, and here I sit on the bed, dressed in a linen shift.

Combing out my hair before braiding it. I could say that I get pretty every morning before going out for breakfast and coffee, but the truth is that most often I just put on a simple kirtle or my brown coat over the shift to have my breakfast as soon as possible. But let’s pretend this is a morning with plenty of time…

Then I put on my woolen hose, my medieval shoes, and the garters that holds the hose in place.

After that it is time to put on the dress or kirtle. This is my green woolen 15th c dress, fastened with hooks and eyes at the front. An apron is good to protect the clothes and to finish of the outfit. Under the shift I sometimes wear a lengberg bra, a modern bra or a sports bra to get the support I need. They all work well, but the lengberg bra or a balconette model will give you the 15th c silhouette. If you have smaller breast, going natural works well too!

Then I usually braid my hair, and/or pull a cap and veil over it, or a cap and straw hat if I am working outside in the sun. The hairdo I will post in a separate blog post, with a DIY guide. This photo is from Double wars, being out in the forest in really nice and warm weather.


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Memories from Visby

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Greetings from Visby Medieval Week! Me and love traveled here with our friend Lali, shared an apartment and had a wonderful week with friends, ice-cream, new experiences, shows and music!

I spent most of my time at Kaptielhusgården, holding workshops in tablet weaving and pattern construction. Look at this amazing place! I never get tired being here and enjoy the feeling. During the mornings everything is more calm, but still buzzing with interesting classes and mealpreps in the kitchen.

I didn’t take any photos from my workshops this year, I always get so absorbed with talking and is more likely to forget the time… Also, this year was unbelievable hot and I actually got a heat stroke during one of my workshops. Phew!

The evening was better, and the last day cooler weather came over the sea, rolling in with thunder and rain. We celebrated by going to Kapitelhusgården for a drink (yes, back to work on my one free day)

We went to the marketplace, climbed the city to get the View, walked by the church St. Maria (and took the Stairs twice a day) visited Arkadias great show, and had a Good Time!

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And went for strolls in the botanical gardens, one of our favourite spots! A nice lady took this photo of us, love is wearing his wedding outfit, inspired from 15th c Italy, and I have a German 15th c outfit that is still on the try-sew-retry stage. Not completely happy with the folds and the neckline, but I have a new plan for it…

Last, I wanted to say Thank you! to everyone who stopped to say hi, or had a chat with me- it is so nice to meet readers old and new and make new friends!


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Cudgel wars 2018

This came to be a more personal blog post, so if you want to join one of my adventures from the summer, here we go!

Cudgel Wars is a SCA event in Finland, situated at a lovely site with saunas, beach, small boats for exploring the lake, and all the usual SCA activities like archery, fighting, workshops and more.

I traveled alone for once, and the long journey made me a bit tired even if most hours was spent on the ferry with food, apple juice and lots of sewing.

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Finally on site, I was super tired and needed to put up my camp before it got dark, so I asked some friends for a little help…

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And in no time the whole tent was up, R put together the wooden bed and I was moved in. Think everything was done in under an hour, comparing to Double Wars when our camp took three hours with three persons to finish. Thank you!

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Here is my home during the market season! It is so cozy! The tent is from Tentorium and I am very satisfied with the quality and all details in it, it feels sturdy, well done and is easy to handle even though the wooden poles are heavy to lift. The poles, pegs, ropes and linen canvas all fits in the car along with basic camping gear, clothing and three boxes of shop things, if I put down the back seats in the car.

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Breakfast inside the tent one morning; coffee and chocolate soft cheese on bread. Tired, in need of some alone time but overall happy. Sometimes the best thing is just to hang inside your tent, watching all the fun things happening outside and being able to feel contentment.

My friend B dressing her son in viking clothing for the cooler evening

Parts of the Frostheim group that I lived with, hanging in the kitchen area. Well, actually none of the persons in the photo lives in Frostheim, but having the best group makes for new friends…

In my tent, having some wine and wearing the 15th century outfit with the dress I finished sewing during Hamar, and the necklace I bought there.

20180712_222358And meeting lots of new friends and amazing people in the Purple Dragon household!

Taking some nice photos by the lake in the evening

M in two of her outfits

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The Mörk family

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R by the lake in his viking gear

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The site was situated by the lake, but if you wanted to take a small walk the forest was just above, with pine trees and a nature that felt very close to my own home.

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Trying out my bathing dress in the lake, and it worked well for both swimming, modesty, looking medieval and avoiding some sun. It was harder to get it of after when it was wet…

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The ferry took about 8-9 hours, traveling through beautyful archipelagos with small island, mixed with boats and longer stretches of sea.

All considered, it was a very nice event and I really recommend it to anyone searching for a SCA event that feels like a vacation.


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15th century headwear

There are many looks on headwear during the late 15th century. Everything from maiden hair hanging loose with soft waves, to several layers of linen veils wrapped around the head, with wimples or jewelry worn. There is both visible and hidden hairdos, fake hair pieces, caps, hairbands and circlets, as well as decorations such as pins, jewelry and braids.

In this post, I wanted to show you a few of my favourite looks and how to achieve them in simple ways.

 

This is a great veil, and it is simple a very long veil wrapped in layers about the head. The result gives you a turban, or if you prefer, a layered look with a loose end hanging. To keep the veil in place, add pins.

Fabric: thin linen 52*250 cm (or longer; up to 4 meters would be doable I think)

The short side should reach from forehead to neck, the long side wraps around your head in several layers. Cut out a square piece of fabric, and hem it around all sides with a small double folded or rolled hem. Use vaxed linen thread, and whip stitch or tiny running stitches.

Put the long side over your head, drape the veil around your head and pin it at the neck (do not make anknot, that will be to bulky and doesn’t look right in the end). Wrap the veil several times around your head, and secure it with more dress pins. Alternatives; wear it on top of a cap, headband or hairband. Let the end hang loosely, over one shoulder.

You can also wrap the veil folded, to achieve a more smooth look. The “secret” with making the look hold and look nice? Practice, mostly. I like to wear a base, like a version of the Birgitta cap, and then pin the veil to this one. When I wrap the veil around my head, the layers will go a little different each time, to cover the whole head in a good way.

In this look, the layers are wrapped from behind, and then swiped from the ear, over the forehead and a little back, to achieve the V shape at the forehead. This looks need some more pins at the top of the head to stay in place.

Veil with sewn layers. This veil is an experiment to achieve the look seen on many paintings from the period, in very easy means. A more historically accurate way would probably be to use a very long great veil, or the “strip with sewn folds” with a veil on top. But if you want to look the 15th century part easy and fast; this is it!

Fabric: thin or medium thin linen 64*250 cm

Cut out a square piece of fabric, and hem it around all sides with a small double folded or rolled hem. Use vaxed linen thread, and whip stitching or tiny running stitches. Then measure and mark folds on one short side, as many as you would like (between 6-20 folds). Make the folds by hand, press them down, and sew them with running stitches. At the ends (the long sides of the veil) you can make the folds go together to add some shape to your piece.

Put the veil over your head with the folds at the forehead, and pin it at your neck. The veil should hang over the pin and hide it. Then twist the veil fabric around your head until you have used the whole length. Tuck the end in under some layers, and pin everything in place.

Strip with sewn folds

Fabric: thin linen 64*20 cm (64*30 cm for more folds)

This is made either to pin on a cap, or fasten on your head with pins or ribbons at the neck. On top of it your wear one or more veils. A practical way to style your existing headwear into the 15th century style.

Cut out a square piece of fabric, and hem it around all sides with a small double folded or rolled hem. Use vaxed linen thread, and whip stitching or tiny running stitches. Then measure and mark folds along the long side, as many as you would like and can fit (between 6-20 folds). Make the folds by hand, press them down, and sew them with running stitches. At the ends (the long sides of the veil) you can make the folds go together to add some shape to your piece. At the ends you can make the folds go together to add some shape to your piece. Use two thin strips of linen or silk ribbon to fasten the piece at your neck, if you don’t want to pin it.

Here is the strip, pinned down on a cap, and covered with layers of veils.

I have been experimenting with some other veils too, but I’ll have to come back to them another time when I have put together my experience and drafted some patterns for you.


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The 15th century coat

For the Golden Egg challenge, I made a warm, woolen coat. The purpose with the coat was to make an over garment from sources that would be warm, practical and fitting for the period. After using it for half a year I am very satisfied; it is such an easy garment and yet it looks great, is comfortable and versatile. I use it as part of the outfit, when the weather is cold or wet, as a robe when visiting the bathroom early in the mornings, as a picnic blanket…

I drew you a basic pattern outlay, if you want to try it out for yourself.

The small gores F1 and B1 are just to save fabric, so the main pieces are 2 fronts, 2 backs and 2 sleeves. If you have a toile or mock up that works for you, you can use that as a base and then just draw out the lines from the sleeve/neck as I did on the pattern.

The fabric I used was 310 * 150 cm, if you are taller or need a size large or above, consider adding some extra fabrics for lengths and sleeves. You don’t really need as much width as I have, but it will give you a very nice drape and look.

The cut and pattern are based on paintings and what pattern instructions I have found from the period. I think it is a possible take, though I have seen outer garments with S-sleeves, sleeve gores and more intricate patterns and constructions. The side seams can be found in some pictures, as well as in patterns of outer garments from later periods.

When you have cut out the pieces needed, pin/baste and sew the coat together in the following order:

  1. back seam
  2. shoulder seams
  3. side seams
  4. sleeves
  5. insert the sleeves in the coat
  6. hem the coat
  7. put in a closure at the front neck.

I used unbleached, waxed linen thread and a running stitch, folded the seam allowance to one side and fastened it down with whip stitches. The hems were finished with whip stitching to.

I also trimmed the neck and sleeves with fur, since that seems to be common in contemporary art. To avoid dipping the sleeve hems in food, I made the sleeves wide enough to be able to fold the fur inside the sleeves when working- this turned out very practical!

Materials:

The coat is made in a warm, thick wool twill, with a rich, deep brown colour that would have been quite expensive to dye. Other good colours could have been walnut brown, red or black.

Linen thread for sewing, since this seems to be common in most finds from the period.

Rabbit fur for trims, because that was the only fur I found that was up to my ethical standards about how you should treat animals (eco, small family garden breeding, killed and tanned in the area without chemicals). White fur to match the paintings.

The clasp is based on a find from the period and is made in bronze

You can wear the coat loose, or close it with a belt. I often wear it with the belt, as it is more practical. If you want tips on sewing a fur trim on a garment, check out my tutorial on the subject!

Historical sources and why I did a coat

The outer garment could be a dress as well, as there are lots of warm dresses lined with furs or fabric in sources. I chose the coat as I wanted a practical garment, and know from experience that a second layer of wool dress would not be versatile enough for what I needed. The sources I have used are from the second half of the 15th century, in todays Germany. The Golden Egg outfit is based mainly on the period 1470-1490, but the coat belongs to the end of this period rather than being the “choice of all women”. So now you can decide if you should go for the practical coat or the more common dress when making your outfit!

Sources: if you want to check out some sources on 15th century clothing, I recommend some of this links:

Lots of clothing from Dresden

My pinterest on the project

A portrait

About the black engraving