My yellow dress in thin wool with buttoned sleeves
After my project with the Luttrell Psalter, I got interested in earlier medieval times and clothing and fell for the Morgan/Maciejowski Bible. The illustrations are so awesome! Also, the 13th century really is quite fashinating with its garments and ideal style differing so much from the 15th century that I have been into the last years. So here’s a short fashion/garment summary based on my studies of some mid-late 13th century manuscript.
Quick caracteristics of the mid 13th century female dress:
Overlong dresses: Reach the ground even with belts. The wearer hold the skirt up with their hand or drape it over the belt when moving.
Loose fit: The folds created in artwork indicates a loosely draped dress with lots of fabric.
Large armholes: Loose armholes on garments both with the sleeves sewn on, with partially open armholes with the sleeve half attached, and with open armholes without sleeves.
Sleeves: Loose upper sleeve, with tightness around wrist. S-sleeves and regular sleeves are both represented in finds (Söderköpings kjortel/kirtle was constructed with S-sleeve)
Whole outfit:
Shift (probably in linen) wool dress and wool overdress/gown, silk for elite society. Hose or socks in wool, shoes in leather. Apron (probably linen) when working, doesn’t appear to be a fashionable item. Hood and cloak for warmth, as well as overdresses lined with another fabric layer or fur. Lots of different headstyles; loose hair, hairnets, caps, wimple and veils, fillets, barbettes etc. If you want to check out more sources, my SCA mentor wrote this Interesting blogpost about Isabella de Bruce’s wardrobe from the end of 13th century.
Before I started this project I collected notes on ways to achieve the correct look:
Make the dresses and gowns much longer than usual.
Make the garment wider than my usual simple dresses, but with a fitted neckhole, shoulders and sleeves. Or rather; make the front part wider to drape across the body, but keep the width of the back piece to avoid bulkiness over the shoulder area.
Add gores both in the sides, front and back of the skirt. Lots of width is needed for the upper class look.
Add width to the garment from the armhole, instead of starting at the waist.
Choose a thin, tightly woven fabric with a dramatic drape; the folds should be deep and clearly visible.
Make the armholes and sleeves wider than you need, and then finish them snugly by the wrist, or add buttons for tight closure.
Here is my construction adjustments; the drawn lines is the blue 14th century dress, and the dotted lines are the adjustments I made while drafting this dress. The sleeve hole is larger, the dress front piece wider, and the dress longer than full length while standing. To save on fabric, I decided to not widen the dress from the armholes but make the front and back panels straight. The width of skirt is made with the help of the 4 gores.
The silhouette is rather straight, without female curves or visible bust, and the easiest way to spot a woman is to look for the pooling dresses, My SCA mentor told me that women seldom show their feets in period artwork, while the men have gowns leaving the feet visible. I found that interesting and so far everything I have seen from this period fits with that description!
So far, I have mainly focused on the gown. I used my 14th century linen shift, wool hose and shoes to complete the outfit enough for wearing. I also made a belt from tablet woven silk and a buckle and belt end in brass. This was also made for the 14th century outfit, but it does well enough here. The brooch is made in brass and coloured glass, and the hair band is tablet woven in the same silk colours as the belt, backed with silk and decorated with small fittings in brass. The veils seen in the photos is my old ones from my 14th and 15th century looks. A future step would be to create a fun headwear typical for the period, if I want to explore it further. The belt bag is an old one in historical brocade from the late 11th- early 12th century if I remember correctly, with silk tassels and cord.
Aha, no feets!
To achieve the right silhouette a loose garment is the best, as well as wearing the belt below the natural waist and arrange the folds to drape nicely. If in need of a modern bra for support, choose one that doesn’t separate or enlarge the bust, but rather a soft bra.
A note on linings: Used in overdresses, gowns and cloaks. Fur, wool or linen are mentioned in sources, and also blends; wool/linen and cotton/linen which might be an option for cooler garments. The patterned linings in white and gray/blue is a representation of squirrel fur, the white being the stomach of the winter coat and the most expensive. (Actually, squirrel fur was so popular that the poor animal went extinct in areas during the medieval period.)
Would you like to check out more from this period? Kongshirden is a reenactment group focusing on the start of the 14th century in Norway, and they have some great clothing guides for free on their website! (in Norwegian, but there’s lots of pictures to check out).
Men kolla! En adventskalender från Handcrafted History! Nu kanske du tänker att det är superlångt till advent, men det är det ju inte. Bara lite mer än en månad, faktiskt. Så köp en rolig och vettig kalender till dig själv (eller någon annan?)
Vad innehåller den? 24 påsar med hantverksmaterial/redskap för den medeltidsintresserade textilhantverkaren, blandat med lite projekt och bling. Färg och användbarhet är ledorden.
1300 kr inklusive frakt inom Sverige (värde ca 1560 kr). Vill du samfrakta med andra för att spara på miljön, eller hämta på min ateljé utanför Sundsvall? I så fall bjuder jag på en extra present!
Boka din genom att maila linda.handcraftedhistory@gmail.com och skriv din adress och telnr för avi. Du får en bekräftelse med betalningsalternativ att välja mellan och ditt paket skickas sedan ut veckan innan advent!
(Jag kommer inte ha möjlighet/tid att göra massor av kit, så först till kvarn och jag meddelar om bokningen blir full. Det låter lite exklusivt nästan? Mvh egenföretagaren)
This year, I am able to offer an Advent Calendar filled with handcrafting materials, tools, some project ideas and shiny things.24 bags will be filled with useful and colourful items, and to book you just send me an email with your address, name and email for traced shipping, and I will confirm your booking with a payment link. International price is 1400 sek (approx 127 Euro) incl insured shipping and payment by Paypal. I’ll happily ship several calendars in one box for environmental reasons (and will include an extra gift for you if you choose to order with friends to the same address)
Unfortunately, the shipping time outside Sweden/Europe is still uncertain and I can only offer my Swedish customers delivery before the end of November. However, if you are still interested- feel free to send me an email!
If you know me, you know I am travelling and living my medieval/viking adventure life right now, and both blog and social media conversations are running low. If you are new- welcome here! I will not leave you bored in the middle of the event season, but have prepared some interesting posts for you to check out.
Last year at Visby; only a week left now!
The best way to reach me right now is by email. I also try to keep Instagram updated, but rarely use Facebook since it doesn’t work great on the phone. https://linktr.ee/handcraftedhistory for more ways to reach me!
If you are attending Medeltidsveckan in Visby, you can find me at Kapitelhusgården from Sunday to Sunday. The shop is open, and I also have workshops in pattern drafting and tablet weaving. These are currently fully booked, but you can check out the full schedule here: https://medeltidsveckan.se/programme/
Last years pattern drafting (sleeves)
Are you attending one of my workshops and have questions? Send me an email! The info at the program states if you need anything special (like a modern t-shirt or similar clothes on your body for the pattern making) othervise you can just stroll in with a snack and a ticket- I will bring everything else!
If you want to check out more about Medeltidsveckan I have written about past adventures here; https://handcraftedhistory.blog/?s=visby where you also find the old guide and the packing list in Swedish.
In my shop you will find lots of straw hats and felted wool hats- but be sure to come by early in the week to secure the colour/size you want. Last year they sold out. For you readers interested in straw and wool hats but not attending Medeltidsveckan- I will open up my Etsy store and start accepting commissions when I am back home and can start packing and shipping regularly again. Thank you for your patience! (Yes- I remember you who have emailed/pm/contacted me)
At Kapitelhusgården
New blog posts, patterns and research articles will be coming again this autumn- I look forward to share new and interesting stuff with you! With that said, I will continue with my packing/working/panic sewing days. Yes, I also have late projects. Yes, I will also sew on the ferry over… It is tradition, is it not?
In Sweden, the historical camping season has begun, and with that lots of clever reenactors are sitting at home, working on their packing lists and piling their things in large heaps. For your convenience and enjoyment, I have asked around after the best packing tips, clever hacks and what-not-to-forget as a beginner.
Here it is, the Ultimate Packing List! Containing everything and more, just what you need to plan your event. Just adjust after your preference and need, and print it out!
swimwear historical or modern depending on the rules
socks, and extra socks. Some more socks.
shifts/shirts
middle layers for warm days
overlayers for cold and rainy evenings
headwear that protects against the sun
Food, eating and cooking:
eating utensils: spoon, knife, pick/fork, plate, bowl, jug and glass
food storage: cloth bags, chests, plastic bags, cool bag with freezing blocks
water container to carry with you during daytime
fire maker (matches, striker etc)
towel/rags for hot kettle, table, dishes
fire extinguisher
fire pit/somewhere to make your food
tripod for your pot
firewood, coal
pot to cook in (frying pan or cauldron)
dish brush and dish soap
towel
tasty drinks
snacks
food for all your meals
trash bag or bin with a plastic bag inside for icky trash
Necessities:
toilet paper
towel
soap
hand sanitiser
plastic bags
wet wipes
your regular medicines and toiletries like toothbrush etc
menstruation pads
abrasion patches (band-aids for your feet)
Good Things to have:
power bank
extra socks
extra medicines (for cold, pains, band-aids etc)
extra blanket/sleeping bag for warmth
sunscreen
earplugs
mosquito repellent
snacks
first aid kit
cloth sacks to store things in
cloth sacks, baskets, fässing, bags to carry things in
mending/sewing bag
fluid replacement (to put in water if the event is very warm)
axe
small broom for the tent
To make the stay more enjoyable:
candles in lanterns, and/or led candles for lighting your tent in a safe way
heater for the tent + fuel for the heater
toys according to your hobby; sewing projects, swords, bow, armour etc
*Please be advised that some events have restrictions on fire and cooking or modern equipment etc so be sure to learn what rules apply to the event you want to visit!
Good luck with your packing and adventuring! I am going to pile some more “important-looking-stuff” now for my trip to DW next week.
I could call myself somewhat of a pro at living in historical tents, or more accurately, sleeping bad and freezing in historical tents… Therefore, I present to you a guide on how to choose your tent and live comfortable in that!
(This turned out to be a really long blog post- I have apparently missed talking to you. I marked all my personal thoughts and anecdotes with cursive, for easier reading)
Which period?
Different models are based on finds from different periods, so if you are going on viking adventures the Geteld or A-frame models are most often used. For medieval adventures, Getelds and Pavilions are good choices. Small shelters called “Soldier’s tents” are also often used.
When looking at websites selling tents, many will show you models that are not based on finds or pictures but called “historical” anyway. The openings could be placed in new ways, the seams made to save fabric widths or moved to be able to sew on a machine. The poles and ropes holding the tent up might be done in different ways that can not be seen in manuscripts and so on… These tents may still be good tents, but it is always good to know what you buy, and what it is based on for the future. If you are unsure about a model, ask!
A-frame tents at a viking market
What says finds and historical pictures?
Viking type tents are based on ship burials which have included a tent with a wooden frame and canvas. We don’t really know if people actually slept in these on land as well, and they probably did not bring them to different markets all summer… But what to do, when you are a modern person wanting some comfortable living?
Medieval type tents are seen in numerous manuscripts and paintings, both used by nobility and commoners. Brightly painted, large tents are used for festivities, tournaments and for avoiding that pesky sun, while small sleeping tents and shelters can be seen in military settings. A quick search gave me this board.
Round pavilions at Double Wars.
Where are you going?
Many events have lists or recommendations about what tent models are allowed on their events. Mostly, you can bring Getelds and A-frames to viking events, as well as small canvas pieces as simple roofs. To medieval events, Getelds are often allowed, as well as square, round and oval-shaped Pavilions. Materials may also be advised to be linen or wool.
Sleeping tent in the middle, and large pavilions in the background.
The event organizer will want to have as pretty a camp as possible, but at the same time, they know tents are really expensive and that guests will stay at home if their living investment is not allowed. The same is true with market tents; most of them are not strictly historical since a modern seller will need light loads to carry and transport, as well as a big enough tent to be able to bring enough products to earn a living. Not everyone can sell jewellery and candy, so some will need big, bright and roomy tents.
Other things to consider are the campgrounds; is it rocky and hard to put down tent pegs? Then an A-frame tent might be good. Is it often stormy and windy, then perhaps a smaller tent with a sturdy frame and long tent pegs is a good choice. Have you ever seen a jumping A-frame tent in a storm? I have, they can really get quite far…
Cotton, linen or wool?
Cotton is by far the most common tent canvas today since it is cheaper, lighter and easy to come by in the right thickness and waterproofing. I use cotton in my Pavilion to be able to lift the canvas pieces myself and to have a tent that is bright enough for customers to see my products, even if it is rainy outside. But oooh, my old linen pavilion was prettier!
Linen is heavier but more resistant to mold, and unbleached linen will keep your tent cooler and darker. Perfect for sleeping in, not so good if you are a market vendor selling fabrics. Linen gets bleached over time in the sun, giving the canvas a really good look.
Wool is mostly used in A-frames and a good, felted wool fabric will keep you dry, cool and comfortable in all kinds of weather. May be waterproofed with modern products, or with lanolin (wool fat) which is more historical.
Different types of fabrics; brown wool tent, white cotton tents and the unbleached linen pavilion in the background.
Consider this when choosing your model:
Packing space available (how much space do you have in your car for a tent canvas and wooden frame?)
Storing space (where will you keep the tent off season?)
How many people and how much stuff do you need to fit?
Is it important that you can put up the tent fast?
Is it important that the tent is easy to lift/carry? (consider a canvas in several pieces)
Should the door be big (welcoming/good shop) or small at one edge (more sleeping space)?
I have always been partial towards Geteld models since they are often economical, easy to transport and fast to put up and down.
With that said, after living for weeks in this model you will get really tired of the sloping walls, giving you almost no space to hang clothes for drying (except in the middle). Storing all your things around the base of the tent will save lots of space to allow you to walk around in the middle, but it will also mean you crawling around on your knees looking for things every day.
A-frame tents also seem very practical and I am slightly jealous of my friends when we are putting up camp at rocky, hard grounds. While I am sweating and swearing trying to put down the tent pegs in the ground, they simply fold their tent in place, secure the canvas by the frame and move in. I usually get my revenge when the carrying distance between car and camp is long since I can carry my poles in one go…
A-frame tents are practical, economical and if you have the storage and packing space for the frame it is a good choice. It is also considered the easiest tent to make yourself.
Pavilions often have a roof with separate walls, allowing you to open up different sections of the tent if you want the breeze to get in, or want a nice display area. Straighter walls with poles or wooden wheels mean you can place furniture along the walls, and hang clothing from the wooden frame, which is both practical and pretty. More sloping walls on the other hand might ride out storms better.
Round and square pavilions may be sensitive to hard winds and storms; during the Medieval Week in Visby you may see knocked down tents of these models, or tents laid down by choice before a storm. If the round pavilion has a sturdy roof frame, you can remove the middle pole, fold the walls and secure the roof down to the ground covering all your furniture and belongings while you wait for the storm to pass. You might not fit inside, but your tent will survive…
If you only want a sleeping place, tents called “soldier’s tent” or one-man tents might be the right choice for you. I would advise you to get a tent big enough to fit a bed inside, then you will always have a dry space, and can store your things under the bed.
Will I get wet?
A good tent will keep you dry even in heavy rains, as long as you can stay of the ground (in a folded camp bed or wooden bed for example). Also, never put clothes or bedding up close to the canvas, ideally, nothing should touch the canvas walls except the framework.
Our oval pavilions have kept out heavy rains on several occasions, with the single drop or two from a slacking corner joint between roof and wall. During one event, the rain was so heavy that small runlets formed and travelled through the tent. Everything above ground kept dry, but a turn shoe almost floated away…
Look for a tent construction that has sloping roof/walls, and a canvas that is thick, sturdy and treated with a waterproofing agent. Even so, after some years out and about the canvas may need to get additional waterproofing.
How to care for a historical tent:
Let’s start at the beginning; oil all your wooden poles upon arrival, and once a year after that (or when needed). When you put up your tent; find the right way to do so without adding unnecessary tension to the pole, canvas or ropes. The same goes for taking down the tent; do so slowly and controlled, and get some friends to help you in the beginning. Always mend loose ropes, or broken seams at once. Make sure the tent canvas is really dry before folding it away in the storage, and that it is reasonably clean since rotting mud, grass and insects may cause damage to the canvas over time. Brushing away loose bits before folding the tent is good. I also brush off the dirt from the tent pegs and ropes. The canvas should be stored in a dry space, outdoor sheds are not ideally. I can give you several examples of people having their tents destroyed by mold and rats during winter…
More tips to be comfortable in the tent:
Furniture like a bed, table and chairs (so you don’t have to sleep and sit on damp ground)
A heater for those chilly events (if you live in an area with cold nights and rains). We have a portable gasoline radiator (the same type you might have in a trailer van).
A mosquito net to drape over the bed at night
Look for opportunities to hang things inside the tent; a lantern and a rope for drying clothes make life easier.
Things to ask (or look for) when buying a tent:
What material is the canvas made of, and is it waterproof? Treated to withstand mold? Treated to slow fire down?
How much does the canvas weight? Does it come in 1 or several pieces?
How long are the frame/tent poles?
Are rope and tent pegs be included?
How should you take care of the tent?
If the tent canvas breaks, is it possible to buy additional fabric for mending?
Pricing?
Historical tents are expensive. Or at least, there is lots of money involved. The cheapest way is often to make one yourself if you have the time, space and skill. The second-hand market is also a really good choice, when people get tired of their small, practical tents and want to level up, they will often sell them for a good price. But try to inspect the tent yourself before you pay for it (ideally put up) to avoid bad canvas, mold, rips or a cracked frame.
A short sneek view over the camping ground at Double Wars; here you can see many different kinds of tents!
Welcome! Today I’ll show you some of my favourites from my historical wardrobe and give you my best advise on what to choose for your own outfit. Let’s start with veils.
My current favourite is the semicircle veil in different sizes. It is easy to drape and style, and the semicircle cut gives it a smooth and flowing drape. Here are some examples:
large semicircle veil
medium veil from behind
The measures on my different veils:
small: diameter 85 cm (the straight front edge) length 55 cm (from front head to the back).
medium: diameter 100 cm, lenght 58 cm.
large: diameter 140 cm, lenght 60 cm.
small semicircle veil
This is a larger semicircle veil in wool muslin fabric, worn over braids, cap and wimple. Pinned in place by the temples and in the back of the neck:
winter wool veil
To make one: Use a thin tabby linen (90-120 gram/m2) with an even weave. Presoak and wash before sewing to avoid shrinking in the future. I draw the measures directly on the fabric; a semicircle shape following the measures above. The reason for not making a mathematical semicircle is more a matter of taste; how long you want the front edge to be and how much fabric you want in the back. Try it out and see what you like!
I make small double folded edges and whip stitch them with silk sewing thread or 60/2 thin linen thread, vaxed before sewing.
The rectangular veil is a very useful veil that can be worn in several ways. It has a straighter fall than the semicircle, but is ideal for wrapping or draping around the neck, like this:
rectangular veil
rectangular veil with decorative edge
If you make the rectangular veil longer it becomes what I call a Great veil:
great veil for wrapping
The great veil above measures 55*250 cm and is great for creating turban styles seen in the 15th century.
The measures of some of my veils:
Simple rectangular veil: 55*150 cm
Veil with a decorative edge in linen: 50*150 cm
Great veil: 50*250 to 55*350 cm
Use the same quality linen fabric as above, and the same seams.
Shorter Great veil (200-250 cm) worn wrapped around the head, the end folded over the head and resting on top.
When sewing veils for wrapping, I find it easier to use them if they are not to wide. 50-55 cm is enough.
silk veil
Square veils are the hardest to style in my opinion. This model was the first I tried out, but we never made a great team. I do have one left though; my silk veil with freshwater pearls. Silk veils are high status veils, and look great. They are also very light, so you barely feel them on your head.
If you want to make a silk veil for yourself, use a fabric with a heavy drape and thin enough to be a little transparent. Sew the edges double folded with running stitches or even better; make a rolled hem with invisible stitches. (Or buy one ready-made from me with an email/pm).
Measures for a square veil: 80*80 cm or bigger (the silk one above is around 90*90 cm.)
This style is actually two or three different pieces: a cap with a folded strip of fabric pinned on, and a great veil on top. It is a simplification of the large head dress the fashionable woman wore during a preiod of the 15th century. Painting shows headwear with many folds or layers, held in place with pins, basting (or some kind of magic). But since I live in a tent during summer events (and not a comfortable house with a maid) I need simplified ways to dress myself. This was one option that came out nicely, it is both easy to pack and manage during medieval camping, and easy to dress myself in. It should be more tightly pulled in the neck though- contemporary pictures shows no such fabric volume in the neck.
simple style turban
This is another way to style the Great veil, for that “I am hard working but yet fashionable” look. The veil is pinned directly around the head without any shaping braids, padding or cap, and wrapped around the head a couple of times. It is then pinned down to the layers below, and the end left hanging.
To avoid bulky fabric in the neck, I have found that it is better to pin all models of veils in place instead of tying them.
Veil measures: 55*250 cm, thin linen with double folded edges.
Buying fabrics for veils?
Thin linen 90-120 g/m2 with an even weave, a semitransparent and drapey silk, or a fine wool muslin fabric are the materials used above. There’s no find of wool veils, but I use the fabric when I need to stay warm, and for its beautiful colour tone and drape. It is hard to find linen good enough for veils today.
Threads: I use 60/2 thin linen thread for linen veils, and silk sewing thread for wool and silk veils.
Type of stitch: Hand stitching is a good choice for veils since they are very visible, and the drape will look very different with a machine seam. I always fold the hem twice, as narrow as I can before sewing. Whipstitching is always a good choice, but running stitching will do the work faster and create a more discreet seam. Perfect if you have a very thin fabric, or are in a hurry. Silk fabric edges I like to roll and sew with an invisble seam.
variations; linen rectangle worn double folded.
You can vary your veils in many different styles to fit different periods, fashion and status. Above is the rectangular veil with a decorative edge, folded twice and pinned onto a birgitta cap.
The best way to find your styles is to look at contemporary paintings and portraits and try to replicate the look in front of the mirror. When satisfied- take some photos to remember how you did it. I always end up in early spring wondering what veil style I should wear for which outfit…
At the end of each historical adventure-season I try to clean, mend and grease all our shoes. Outdoors in the autumn sun is of course the most enjoyable, but as long as you get it done it is fine. (Ideally, one would do this after each event to keep the shoes in top condition. But I am lazy…)
Shoe care: soft brush, leather grease with rag and paper.
After each adventure:
Treat your shoes with some grease after each event/market/adventure and also during longer trips. If the shoes get wet, dry them in room temperature or outdoors (never put them by the fire). You may fill them with paper to get them to dry quicker.
How to deep-clean your shoes before putting them away for the winter:
Brush away loose bits and dust, and clean the space between leather and sole by separating these and brushing away small scraps in the crack. Use a soft brush.
Wipe the shoes clean with luke warm water, and a bit of leather soap/regular soap if dirty. Scrub the soles clean with water and soap.
Dry well, filled with paper to hold the shape better.
Treat the leather parts with leather grease. I also grease the soles on turnshoes.
Dry for a day or two, and then store the shoes in a dry space. I usually keep the historical shoes in the wardrobe.
Clean between the sole and leather
Now these pair are cleaned, dried and greased!
Before the next adventure, take out your shoes and grease them again before use!
Mend your shoes as soon as you discover they are broken! A ripped seam or a loose strap needs to be sewn (you can use vaxed linen thread) and a loose rubber sole needs to be glued in place. If you are unsure how to mend the shoe, the shoemaker you bought them from should be able to help you or give you advise. A modern shoemaker/cobbler could also be of help.
Shoes might not be as visible as other garments, but they add to the historical look and experience!
Store your shoes:
Shoes should be kept in a dry space, and can be filled with paper to better hold their shape. Wardrobes, airy shelves or paper boxes are good. Shoes might get moldy if kept damp or squashed together.
How to use your shoes:
Leather turn shoes (with a leather sole) wears out quickly if you walk with them on gravel and asphalt. If you are walking a lot on those grounds, consider to bring a pair of pattens (wooden soles with straps) to protect your shoes. Or change to modern shoes if walking longer distances. I do that during Medieval week in Visby to spare both shoes and knees.
Mud is equally bad for your shoes; try to avoid it, wear pattens, or brush your shoes clean as fast as you can after a muddy experience.
When walking, remember to not drag you feet against the ground, but properly lift your feet to spare the sole. Avoiding glass and sharp stones is also good. If the shoes get a bit large, use an inner sole, a pair of extra socks or leather straps to keep the shoe firmly on your foot. A shoe that moves on your foot will get uncomfortable and wear out faster.
Buying or making historical shoes can be expensive, but with the right use and treatment they will last a long time. I use mine approximately 30 days a year, and they are several years old now!
(Want to make your own shoes? I have a weekend workshop in shoemaking planned for 13-14 November 2021 in Sundsvall, Sweden. Send me an email if you want to know more and join us!)
I am Linda, and Handcrafted History is my one-woman business located outside Sundsvall, in the middle of Sweden. Follow me on my handcrafting and historical adventuring here on my blog!
My business offers You made-to-measure historical clothing, handmade by me with high quality materials, and designed together with you or after historical sources.
During lectures and workshops from Iron age (Viking age) to Late medieval period I share my knowledge from more than 20 years of sewing and research, and help you create the outfit from your dreams.
You can also find historical hats here, or shop away from my historical tent during markets around Sweden, and abroad.
On this page, you can find information on How to order clothes, Book me for workshops or browse the free Tutorials on Sewing or Swedish Larping. Below, you find the blog that I’ve been writing for about 10 years. I share research projects as well as fun guides and inspiration for your handcrafting.
Please contact me by email at linda.handcraftedhistory @ gmail.com for invites to markets, ordering clothing, booking workshops or for collaborations regarding the blog.
Are you curious about what life is like for historical market sellers and historical interpreters? Let me show you how my workdays and life looks like during a normal market season! (you know, before the pandemic when we actually travelled and met friends)
What everyone sees (hopefully); standing in the market stall in pretty clothing
What life is like, nr 1: Driving
I live in the middle of Sweden so all markets during the season are typically a 4-8 hours drive away from home, and about 12 hours if I want to reach the southern parts. 2 years ago I bought a small van that I can drive on my regular driver’s license and it gives me the opportunity to bring all my market things, sleeping arrangement, restocking items and food. I can sleep in the van if I have to, and a small field kitchen keeps me sustained so I don’t have to stay at expensive restaurants along the way.
Nr 2: Freedom
Driving may be boring and takes a lot of time, but it also gives me a great feeling of freedom, driving across the country, over mountains, and stopping at interesting places to see the view or buy a local drink. Being your own also means freedom to plan, to decide when to work and how, and how much…
But sometimes I plan poorly and end up having to pack away the whole market stall and all my belongings in the heat of summer before I can take the van to go and find food. That happened a little too often in 2019, I will definitely plan better in the future.
Nr 3: Actual working clothing
Regular working clothing when packing the camp; shift (linen underwear) sturdy shoes, working gloves, sunglasses and not much more. Fashionable deluxe!
Or, half-clean pants (they never stay clean for long when packing…) and a sweaty t-shirt after driving for hours without a working AC in summer. We really do save the best looking clothing for visitors and customers!
Nr 4: Lots of really hard work
From unloading the van to the ready-to-open market stall several hours of hard work lies in between. Packing up, lifting, packing down, carrying… If someone would make an employment ad for my work, there would totally be lines like “You really enjoy carrying things around and loading vans”.
I do so much heavy lifting during summer that I need to keep my weight lifting up during the winter so I won’t hurt my back when the summer season comes. Who could have guessed?
Because I am a one-person business, I sometimes travel alone (though I like to bring Love or friends along- it’s so much more fun!) which means I need to do the work myself, and also find some helping hands to raise the tent. We often help each other out which means running around helping with several tents, but also laughter and company while working!
Nr 5: Simple living conditions
Living in a medieval camp. This is the most awesome, and the hardest thing all season. I absolutely love sleeping in the cosy medieval tent, listening to the wind and sounds of camp all around. In the morning there is a fire with fresh coffee, friends to talk with and birds singing all around.
It is also the hardest. 2019 was a really cold and damp year sleeping outside, I regularly wore double woollen dresses and in bed, I had two layers of woollen clothes, covets, blankets, woollen socks and a cap- and was still freezing. When I arrived late at a market I barely got the tent up before darkness, and then there was only a cold meal in a messy space before sleeping. It can be uncomfortable, dark, cold… or a storm threatening to tear your home down.
Still worth it!
Nr 6: Tourists
Not the same thing as customers, or visitors. The tourist will ask you things like “Do you really live in there” (yes) “Is this ware really from the Viking age?” (no) “Where do you take a shower?” (…) and sometimes you can be really, I mean really, tired of those questions. But at the same time, meeting people and making new friends is the best part of travelling.
But it is ok to be tired sometimes. And tell them you never shower… (On some events there are no showers. A lake or a bucket of water might be good for a couple of days, but every once in a while a girl needs a warm shower!)
When the tourists leave… Ok, I admit that some of the best times during the market weekends are the evenings. The work is done, the market stall closed and you have time to cook, hang out with others at the market and enjoy entertainment, feasts, fire shows or just relax.
Nr 7: Moving from the modern world to the historical dream
The mix between the historical dream and the modern world. Vans, heavy work and lots of things you need to build, carry, organise… But after that; a beautiful dress, a cosy area with medieval tents, cooking and that amazing feeling of visiting another time.
Nailed it! Getting that perfect photo that shows you standing effortless in a beautiful surrounding, with your medieval outfit perfectly in order. The wind is right, the light is right. Not showing;
I was sick as a dog
There were one zillion visitors in the garden at the same time, appearing in the background and beside me
Battery remaining in camera; around 4%
Do you think this seems to be the most amazing job ever? (even after reading this whole post?) Well, here are my tips for starting:
Visit lots of markets to see what people want to buy, and what others are selling. Is there a gap in the market you might fill with products of your own? Thinking you can do the exact same thing as others, only cheaper/faster/better is not a good way to start- most markets and events want diversity in their sellers and won’t invite too many shoe/pottery/cake vendors.
What can you make/produce and what do you need to buy? If you have lots of costs (like importing fabrics) you will need bigger markets to sell more, whereas if you sell homemade cookies and honey you have lower costs but need more time preparing products.
Calculate costs; purchases, travel expenses and a salary for yourself, and then make a budget for the market season. How much do you need to sell to get a salary? To pay for all the costs going to a market? Many beginners make the mistake of not charging enough for their products and are struggling to make the ends meet until they get exhausted and quit. You need to charge enough to both cover your costs, get money for yourself and build a small amount for emergencies like a flat tyre or a broken tent.
Patience. No matter if you have a good budget and great products in place, the first season might not be great. It takes time to discover which markets suit your products, what customers want, how to sell things… Be patient. Have a backup plan to cover your living costs (like a side job, savings, etc) while exploring the market life.
Get to know people; everything is easier with friends. Maybe you can collaborate with someone, or help out somewhere in the beginning to make new friends. Being kind and helpful to others is a great first step!
Fun fact about my business: Some time ago I got a call from a television show producer, wanting to know more about my life as a historical market seller and maker. She was very disappointed when I explained that I live my life like most people do, in a house, driving a car and eating everyday food for the better part of the year…
I am, after all, a pretty normal person with a business, that takes me out on adventures and travelling for the summer season, while I am living quite the normal life for the other half of the year.
This post is a collaboration with Korps and contain advertisement for fabrics from their webpage.
Are you longing for some historically-inspired life and camping? Now is a great time to get inspiration and ideas for the next event and plan what you would like your living place to look like!
Look at this lovely place, I am longing to be outside in a camp again! Imagine sitting in that corner while it is raining, having cookies and wine and chatting with friends.
I spent lots of time at the beginning of my reenactment adventure life pondering over what I would need and what I would like to bring to different events. I also collected lots of photos of things that looked practical or just pretty and wrote lists of things that would be good to have next time. Kitchen towel, water flask, bucket and extra wool blankets are things that piled on those lists, helped there by experience or inspiration from other reenactors.
Mmm, look at this cozy place! Wouldn’t you love to eat lunch here? I would put the bread in a basket, have extra napkins and plates for guests ready and decorate the table with some fruits.
My main inspiration to improve my camping life have come from SCA events, since these often are quite long and you’ll meet lots of others that have been in the hobby for a long time, thus having created pretty and comfortable living areas.
Far from everything in these photos is as historically close as possible; most tents are machine sewn, furniture is made with modern tools and practical solutions mostly won over historical ones, when it comes to food prepping and hygiene. With that said, here are lots of options for camping life, with amazing handcrafting and historical techniques and materials.
Capturing all the good ideas
The feeling of homeliness; look at these camps! The furniture, the kitchenware, pennants, lanterns… Even if everything is not based on historical finds from a specific period, the overall look is awesome. The ropes and tent walls actually add to the feeling of spaciousness, of having a living place outside in the woods. (I like the table cloth, thinking about making one to my kitchen)
My best practical ideas;
A good blanket! I put my heavy wool blanket on top of my bed to keep it dry and warm, use it as a picnic blanket, and a cloak during cold evenings. To get a really big, affordable wool blanket; buy a good quality wool fabric and make one yourself! This fabric is a good choice, super thick and sturdy!
Get the fire up from the ground! On many sites, fire safety dictates that the fire pit should be 30-50 cm above the ground. Plan for that by building a fire bowl with legs, and you have a convenient cooking place so you don’t have to crawl on the ground to cook.
The drink’s on the house! Naw, you don’t have to give out free beer, but it’s good to have water available. Bring jugs and bottles for the stylish table, as well as tanks/containers that fit larger quantities of water. If you don’t have historical options, use a plastic one and hide it in a cloth sack.
A fabric roof! Cheap, practical and good for both sunshade and rain. Make your own by sewing two pieces of fabric together (150*400 cm), and add some sturdy holes in them. To put up your new roof you also need some ropes and wooden poles with nails going through the holes. You can find good tent/canvas fabrics here. (You could also use these fabrics to sew your own tent on your regular sewing machine.)
Do you have any goals for your camp, or fun ideas you want to do? Here is my wish-list for improving our camp: (hopefully I will get around to these, and now when I have put them down here I think the probability will be even higher…)
A fireplace like this. Sooo practical! I wish someone would build me a square fire bowl. I would stack the wood neatly underneath, make coffee in the morning and feel like a queen while doing so!
Making the packing a bit less… plastic. It is convenient to store and transport lots of things in plastic bins, but they are Oh So Ugly. I am working on using wooden boxes instead, and cloth sacks.
Painted silk flags! It is so pretty, I want a whole bunch of them hanging by our camp, and then I will give everyone directions to our tent by telling them “just go to the big tent with all the pretty pennants”.
