HANDCRAFTED HISTORY


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My 10 best dresses

Hi! So nice of you to drop by to read! This time, I wanted to take you with me on a small tour to my virtual wardrobe, showing you some of my favourite dresses I have made so far. Be prepared to see some really old stuff now, because it wouldn’t be very fun if I just posted photos of the 10 most recent, high quality dresses I made right?

(Yeah, you wouldn’t think it was as nice sneeking a peek into my actual wardrobe, it’s quite full and maybe not in the best order. Have you seen my sewing box? Then you’ll have a feeling for what my wardrobe looks like…)

Let’s start at the beginning; my first buttoned cotehardie. This one is an old dress (the photo is from an event in 2010) long gone to someone else. It was my first try doing a 14th century dress with a closer fit. I can’t say I really knew how to make medieval fitted garments but somehow I managed this one and I was sooo happy with it. I remember looking up to others at the event, pondering how to make such awesome garbs like they wore, and how to manage a really good sleeve.

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This early in my erhm, blogging career (can you call it a career if you are not making any money..?) I didn’t get much photos of my own outfits, but rather took photos of everything I saw, trying to capture those magical moments and that cool things others wore. Like these outfits- I still remember thinking I would totally want to be that skilled when I grew up!

Oh, I had completely forgot about this one; the green herringbone twill wool was a really expensive (in 2011) fabric in an awesome quality, and I made some kind of Herjolfnes dress with lots of gores in the side and skirt. It was so comfy, fitted me well and I used it quite a lot before selling it. Actually still missing it. Here I am wearing it as a middle dress under my viking apron dress. Couldn’t find any good photo of just the dress.

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Oh, my green moy bog gown! Somewhere around 2010-2011 my real interest in medieval pattern construction techniques began and I wanted to try the moy bog sleeves. I remember that I first made a short sleeved one, wore that for a while and then remade it with long sleeves and better fitted gores in the skirt. Another dress I was really satisfied with at the time I finished it and wore a lot over several years. Then I wanted to make new experiments and sold it to be able to afford new fabrics.

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The 16th century trossfrau dress is one of my oldest that I still use (I tend to get tired of old projects and sell them of…) But I still like it. I put a lot of effort into research and actually making it historically accurate and fun at the same time and finished it in early 2015. It is hand sewn, the pattern and construction methods still holds up to my standard, and the colour is just sooo… fugly. The purple hue is actually based on a natural dye, so the thing that is least accurate with the whole outfit is the slashing on the hat; I was to fast and made it pretty rather than historical believable.

My wedding dress from 2017. This has a special place in my heart, I don’t know if it is the dress itself (it is rather plain) or the event it got used at… It’s a 15th century silk dress with open sleeves below the elbow, lined with a really thin wool, and decorated with silk cords and small freshwater pearls. I would like to redo it a bit as it doesn’t fit right know, and therefore I don’t use it. But I do feel a bit unsettled everytime I take it out from the wardrobe and think about cutting it apart to redo it. Maybe I am lazy, or a bit nostalgic. Yeah, I will probably remake it anyyy minute…

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I loved this one! It is a 15th century houppelande (overdress) in black velvet with moss green edges. The sleeves got lined with my last pieces of gren silk that I owned, and they made for a very good contrast to the rest of the dress I thought. The dress was only worn once during this photoshoot in 2017, and then I sold it to a happy customer abroad. I loved it, but I didn’t need it. I mostly made it to practice sewing in velvet and to try out the pattern, as it was my first try to make a full circular houppelande.

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My red 14th century wool cotehardie, completly handsewn, and with 20 pewter buttons in each sleeve. What is not to love? It is red, fancy, a really serious try on reenactment clothing and I feel Amazing every time I get dressed in it. Some time around here I also started to feel like handsewing a whole garment wasn’t such a big deal. Nowadays I handsew most of my wardrobe, with exceptions for some of my undergarments, and projects that has a short time frame.

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Ok, I know, it’s a whole outfit rather than just a dress (I can cheat right?) but I couldn’t leave this one out. The amber dress project was just that; a very serious and creative project which was so much fun to make. The process actually took several years, but somehow this outfit came to be a milestone where I felt that I had learned new things and evolved as a handcrafter.

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Yes, I have a thing for green. But you knew this one would show up here right? It is green, comfy, dramatic and 15th century. What is not to love? This was actually my latest houppelande after making several tryouts to explore drape, patterns, construction methods and different fabrics (you can see them below) and it is handsewn in a high quality woolen cloth, lined with a silk fabric. On this photo I wear it full “Weyden style” to portrait a well of woman from the middle 15th century, dressed in rich fabrics to the height of fashion of the time.

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Mmm, this is not a clear participant in this post just by the look of it. It is a really simple dress with panels and gores, handsewn in undyed ecological wool (in 2018 like so many of my other dresses). But it is one of those dresses that makes you feel awesome, comfortable and just warm enough whenever you wear it. It’s magical. If I was going to wear medieval/viking clothing everyday I would probably wear this one 9 out of 10 days.

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So, there you have it! Some of my projects over the years. It was a bit challenging to pick out favourites, and I know I left my new 15th century wardrobe out (but hey, you’ve seen that one a lot lately) as well as my viking apron dresses I’ve made that I really liked. Sometime I’ll have to put together another viking-wardrobe post maybe.

What do you think? You have any favourites that you would like to make a version of, or do you already have “the best dress ever” in your wardrobe? I would love to see it!

 

 


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Learning new things

The longer I’ve been doing historical handcrafting, the clearer it is that I find it important to improve myself and my knowledge all the time. The first half of 2019 I spent making lots of outfits for customers, and some for myself as well. The projects were all fun and turned out nice, but I had the feeling I was missing something.

New challenges.

So, during the autumn I decided to spend time learning new things, and chose some things I haven’t explored before. The result was attending a distance tablet weaving workshop to get new inspiration for patterns and workshops, and trying out a new handcrafting technique in the form of felting hats. The black one is my first, it got a bit uneven but I am getting better!

I also researched and made a (inspired) mid 18th century outfit and went to a historical ball event with that outfit, dancing and dining historical style.

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I feel very satisfied with learning new things, and got new energy to continue to work on lots of projects. Yes, at once- of course. I am one of those handcrafters that fill the entire room with projects, stash them in baskets and have them lying around the whole house in periods.

I also felt inspired taking up some old research on brocades. I am interested in late medieval style brocades, and have somewhat of a stash hidden in the shop (for customers, of course!) with small samples suitable to make pouches, purses, sleeves and details. Mainly, it is because I get so curious about the different weaving patterns and styles that I just Have To Order a small bit… (this is my pinterest board on the subject)

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I also, kind of unexpected, happened to buy several meters of a lovely silk brocade that is going to be a new medieval dress. I am in the progress right now of sewing it together, taking photos and notes as I work to make it into a new tutorial when I have the time.

Alas, I do have time… But I am also working on a tutorial on Herjolfnes side gores, how to make a pair of medieval pattens and a handsewn project for a customer. I am not good at doing one thing at a time…

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As late as February I still thought I would have a normal, busy season with workshops, road trips and market work, beginning with next week. Now the world feels more unsure and I don’t even know if there will be enough work to put food on the table. On the other hand, I do have lots of time now to experiment and learn new things. Really trying to decide this might yet be a good thing, I am working on new tutorials, garments for myself and lots of new things to sell when there will be markets again.

I also put up a small webshop at my Fbpage in order to give all my followers and customers a chance to order handcrafting tools and have a sneek peek at all the nice stuff I’ve got for the markets. It would help a lot if you would like to check out the shop, follow me on social media or show my page to a friend. This too shall pass, and until then all we can do is our best.

How are you doing out there? I know I have readers from both Australia, USA and many places in Europe as well as here in Sweden. I am praying for your good health, and hoping for a spring and summer that will be better than today.


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Things you can do at home

With the world as it is today with covid outbreaks everywhere, a lot of us finds ourself at home, more or less bored and without our usual friends and pastimes. I know it may feel uncertain and depressing to not know how the world will be in a few weeks, months or even half a year. But instead of feeling down, I will do my best to lighen your mood and as a handcrafter, I will shamelessly take this opportunity to inspire you all to more handcrafting!

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I mean, lots of time (and internet) on our hands, and a season to look forward to with magical events, cozy markets, lots of friends… (Yes, I know it might be a late season, but the world will rotate back sooner or later.)

So, look at these photos- don’t you get inspired? Longing for some summer vibes?

 

What are your goals for this season? Do you need to update or mend your wardrobe? Or make some practical changes to your camping gear? Here’s all my shifts washed, mended and ironed. Ready for fun adventures! (Also, welcome to a photo of some sexy medieval lingerie. It is here you’ll get all the tastiness!)

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I have a long list of things I need to do before buying fabric or planning new projects. As I wrote the list in New Years, I kind of felt that I would Never Get It Done. But now, being home full time without any extra jobs, markets and uh, well…income I have decided To Get Things Done. Yes, all the things! Some serious sewing will happen in this home the coming weeks.

If you need more inspiration to get started, or know what to make, here’s some really good tips:

  • Pinterest might be full of advertisement, photos and medieval-ish things but there’s really good inspiration too. My favourite is to search for different artists or painters from the period I want to know more about, or for earlier periods search for different finds, like “Birka graves viking” and see what comes up. Pinterest will show you more of the things you click on and save, so as you go along you will find more and more. Check out were the sources come from, follow others with lots of good folders and get inspired!
  • Go through your historical wardrobe and sort things out. Clean/air, mend and iron things to make them look neat. Try them on if you feel like it, play, get inspired! Think back to the previous season- did everything work? Was those shoes comfy? Need to make adjustments to any garment or sew a new warmer one?

IMG_3859Mending might be boring, but feels great when it is done!

  • Sell things you don’t need or like. The second hand market for reenactor wear is large and you can find lots of groups on facebook for buying and selling things. Get rid of things from your wardrobe you don’t like, get some new money, use the money to make more things you really love!
  • Get yourself outside! No, I didn’t mean exercise, but even if there’s no historical events right now you can gear yourself up and bring a friend out for some fun playing time. Take photos of your outfit in the forest, go for a hike, or cook over an open fire for lunch. Share all those photos on social media and get new energy! (also, going out with your gear makes you see if everything’s working well or if you need to make adjustments.)

vikingclothingWarm and comfortable viking, ready for a cold event!

  • Get yourself some new handcrafting things! With more time on your hands, you will have time for a really fun and inspirational project. (No, you don’t need to make all those boring things first, sometimes it is more important to get new joy before being practical.) Also, you purchasing new fabrics, threads, tools etc from small businesses will make all the different for them now when many are struggeling with survival due to canceled markets etc.
  • And if you don’t feel like sewing everything for the coming season- consider ordering a new garment (pick the one you felt would be boring to make yourself) from your favourite business. It will support them, you will get a new fun garment, and new inspiration for the coming season.

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(Hey; remember that I have lots of free tutorials for you here on the blog? And also, on my Patreon you can access all my tutorials for a good deal that I also sell on Etsy. This is kind of a commercial for my own stuff you know. Buy some stuff!)

And remember that even if you can’t go out to fun meetings and events all those lovely people are just a few clicks away, so why not start a sewing circle with skype, join a fb group or facetime with your friends while handcrafting! Spread the joy and happiness- handcraft more!

 

 


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Follow me to a SCAevent- DW 2019!

I want to take you with me to an amazing event; the SCA Double Wars in southern Sweden. This time I tried to take lots of photos to show you the camp and living grounds, all the amazing outfits people have made, and the magical setting that always occur during this event. Get ready for lots of photos!

For you unfamiliar with SCA I wrote you a short explanation and added some useful links. I really think this is the society for almost everyone doing viking/medieval/historical fun, and there is so much to experience. I am a member since many years, but I am also a larper, viking reenactor, market vendor and currently infatuated with the 18th century. One can have everything! Like this medieval camping ground, paired with open handcrafting meetings and picnics…

Also, to visit an event you don’t have to know a lot of people beforehand, you just have to have/borrow some basic things, pay for the event fee/food and then participate! There’s more blog posts about the SCA if you are interested, check out the tags on the blog!

Hanging out in the camp, preparing dinner and having a good time are all important activities during Double wars!

About SCA;

SCA is an international organisation devoted to recreating history before the 1600s (in Sweden viking age and medieval period are most popular) “SCA” stands for Society for Creative Anachronism, and the purpose is to create and participate together, rather than recreating the perfect set for educational or museum works. This means there’s many different persons, periods, and interests in the society, which I think give lots of energy and life to participating. I have only visited events in Europe but the soceity is worldwide and have lots of participants in the States.

Look at these awesome people with their medieval outfits! Handcrafting really is a big part of the society and many makes their own garments and learn as they go along. L for example has a very good blog about 16th c clothing; check out the link in the photo!

To know more and participate check out this links;

https://www.sca.org/

http://www.nordmark.org/ (Sweden)

https://www.doublewars.org/

I always find Double Wars so magical, the event takes place in a lush forest at the high of spring, and mixes modern conveniences like toilets and served food with the medieval camping grounds. During the event there’s lots of fun to do; practice fencing, armed fighting, archery, handcrafting skills, dancing, brewing, cooking over open fire, bathing, go to parties, picnics, lectures… and everything in a historical setting and with historical clothing of course!

During court we play a bit, gather together and salut friends who have worked hard for making everything work; event crew, staff, teachers…

This almost turned into somewhat of an advertisment for the event (yeah, you should totally come and play with us!) but the reason I wanted to show you all this is that it’s winter and dark here in Sweden, and I am hiding indoors this evening longing for the summer with all the medieval events and markets.

Looking back at good events always helps me through the dark months, and makes me want to start planning for the coming season.

And we are almost there, it feels like spring is getting closer for each day, the air has a certain smell to it, and I am dreaming about all the camp gear and dresses I want to get for this year (but that I probably wont have time to do) and planning for which events and markets to visit. Are you also longing for green spring outings and warm summer events?

 

 


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Comfortable and easy outfit for the 15th C

I wanted to tell you about my blue 15th century dress. It is made in a thin twill wool fabric and super comfortable and easy to wear!

This is one of the dresses I wear most when it is hot outside, but made in a thicker wool it will give you a really cozy overdress for colder weather too. I have used lots of 15th century pictures as a start for the pattern drafting and over all look, and you can find some sources + more info at the end of the post. Also, there is lots of posts about 15th century garments and fashion here so click the tags for getting to know more. I made this one as a pattern experiment, and it turned out so nice that I am tempted to make another one…

The pattern is basically the same as the one I used for my coat. The skirts are longer, and closed in the front with the opening reaching to the waist (easy to get in and out of) and the sleeves are S-sleeves (the seams are in the back) with an option to save on the fabric by inserting a gore in the back of the sleeve. This is the pattern outlay from the coat; if you want to make it to a dress just give the skirts more length, and redraft the sleeves to S-sleeves if you want.

The measures you need:

  • Lenght of garment (from shoulder to floor for example)
  • Armhole (or use a toile or pattern that fits you, the armholes are made in “the regular way” but will be a little deeper due to the width of the garment starting already from the shoulder. If you use a toile as a start, place the neckhole around 20 cm (size s-m) from the selvage and draft neckhole, shoulder and armhole from the toile before continuing the sides in a straight line.)
  • Sleeve length and wrist circumference (for the sleeves)
  • Shoulder width (around 8-13 cm) from the neck hole to were the sleeve starts.
  • Upper body circumference. Measure your body, and split the measure in 4. Use this as a guide for drafting the start of the pattern; the neckhole, shoulder and armhole.

As a reference, I started the neckhole 20 cm from the selvage/fabric edge and then drafted the pattern from there. To make sure you get the measures right and will fit in the dress; measure the width of the fabric pieces before cutting, especially if you have broad shoulders. Compare with the width needed over your shoulders.

It is easier to start from a corner, with the front piece and front sleeve gore 1.

If you are a beginner in drafting patterns, it really helps to start on a piece of paper with your measurements. Experiment until you feel more secure, and if you like, you can even cut the paper pieces out and tape them together to check the fitting. You dont have to make the pattern a full scale, you can work on a checkered paper with scale 1:10 (1 cm being 10 cm in reality)

The gores for the front and back skirts are just there to give some additional width to the skirt (F1,F2,B1,B2) and they should be half the lenght of the back/front seam. So they will get longer if you draft the skirt longer.

Give the pattern a try! This is one of those outlays that may seem more complicated than it really is.

After you have cut out all the pieces, sew them together:

  1. back seam and gores
  2. shoulder seams
  3. side seams
  4. sleeves
  5. insert the sleeves in the dress
  6. front seam and gores (leave the dress open from the waist or the chest area up)
  7. hemming and 1-3 small clasps at the front (if you like)

When I made the dress I tried different ways to achieve the folds; basting, gathering, and with a strip of fabric on the inside… But I like it best when it is loose and flowing so I removed all the stitching. Everytime I put it on now I arrange the folds after putting on the belt. They may slip around a little but is easy to adjust again to your liking.

Most of the fabric is gathered at the front and back to drape the skirt nice, without adding bulk on the sides. When choosing fabric, a thin but tight weave will give you a good fall and heavy drape to your dress.

There’s lots of pictures of this style of dress, with draped folds, and what appear to be sewn ones. The sleeves can be made rather tight or more loose, and the neckline higher or lower. Check out my pinterest for more inspiration!


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New year- new enery.

Hi there!

I have not been very good at writing here for the last couple of months. I guess life happened, with lots of work and winter coming with darkness and the flu. But now I finally feel I have new energy, after a long holiday over Christmas and New Year. I also got lots of new plans, both for Handcrafted History and for my own handcrafting projects. So what is up?

(photo from Elna at https://www.thehistoricalfabricstore.com/)

This year’s first handcrafting workshop will be held in Norway; there will be a super fun, nerdy weekend with medieval (and some viking) clothing and we still have some spots available; check it out at https://www.facebook.com/events/2871689502883854/.

I am also looking over this year’s coming market and event season and making plans for new roadtrips, and returning to favourite places. There will be both lectures, workshops and a market round. So exciting!

Also, with my Patreon up and running, readers, friends and supporters are contributing to this blog which enables me to make more new tutorials and materials for all of you. Do you want more free tutorials, patterns, how to make things, and so on? I would love it if you took a look at my Patreon and maybe even supported me there! Also, you will get access to all my paid tutorials and patterns there if you become a supporter.

 

 

Finally, I am working on selling lots of old clothing, fabrics, accessories and so on, that I have sorted out from my stash during the holidays. I will put everything up on my FB page during January, so check it out if you want to grab some pieces for a reduced price!

So, a short update done, I will continue sewing on some projects for customers, and a dress for myself. I also have some new posts coming up here, so stay tuned for more handcrafting inspiration. Do you have any projects planned for 2020?


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Working kirtle for the 15th century woman

This is a dress I made several years ago, to have as a simple working kirtle. I never got around to take photos and write a proper documentation about it, but now I got some feeling! In these photos the dress have been used for a couple of years and it has seen wear, washing machines and mending. So here’s my first tutorial for the autumn, and thank you for visiting and reading! (Both old friends and newcomers!)

This is a very simple working kirtle or dress, made to be practical as well as historically possible. The fabric is a plain wool weave, dyed to look like walnut dyed fabric. The skirt is partly pleated, partly flat sewn to the waist, and the upper part of the dress is fitted for bust support, side laced and has short sleeves.

I wear it with loose sleeves, pinned to the short sleeves and a gollar for warmth, under another fancier dress, or as it is if I am going to do lots of work or if the weather is warm.

The dress is hand sewn with wool thread in the same colour as the fabric, and it was one of my first garments made with wool thread instead of linen thread. I really recommend it! At first, I was a bit unsure if it was going to be durable enough, but after several years of using it, washing it in the machine (yeah, because lazy and dirty…) and treating it rather rough, it stays together really well, with only some minor mending.

I used running stitches on all long seams, and folded the seam allowances to one side before whip stitching them down. The waist seam and all edges was made with whip stitches, and the sleeves and upper body seams made with back stitches to be a bit more durable than the running stitch is. The running stitch is way more durable than many believe and common in extant finds, but for heavy support I like whip stitch and back stitching better.

The fabric is from Medeltidsmode, and I used around 3 meter for a dress. If you are much longer than me (1,6 m) consider buying another half metre. I did a quick pattern outlay for you, since it is old I’m not sure if I drafted the pattern along the selvage or across the fabric but you will get an idea of what pieces you need to make one for your self.

The dress was made using two front pieces (to have a supportive seam in the front was a good choice since I didn’t have any lining in the dress.) One back piece, two sleeves and the skirt panels. I drafted S-sleeves, but the dress is made with regular sleeves with the seam under the arm. That seems to be the most common in artwork from the time on short sleeves. Your choice!

Some thoughts on skirts:

Do you see that the skirt has way more fabric in the back, while the front is straight? This will give you a nice fall as well as enough width and volume, but if you bend forward to pick up things or work by the fire, this construction will make the skirts remain away from the flames closer to your body, rather than draping forward with your movement. Hard to explain, but try it! It gives you a very practical garment.

The front panels are marked C at the center front. The back piece is “upside down” to use as much of the fabric as possible. You could of course piece the skirt together with more panels if you like. On my dress the front panels lies smooth in the waist, with only a couple of pleats to allow room for hips and stomach, while the back part is pleated around the back.

Other ways of construction would be to make more panels/gores (see my green 15th c kirtle) or pleat the skirt fabric to the waistseam all the way around (like my 16th c trossfrau dress in purple and blue). Or just make a few decorative folds in the back, like on my blue Weyden kirtle. This is simply one possible way of interpreting contemporary art.

A tip on bust support:

This is (I think) my only wool garment so far that has bust support, but no lining whatsoever. This is possible only because of the plain weave, since it is not very flexible across and along the threads in the fabric. A twill weave would not have worked without lining.

The front piece has two arrows marking out small details in the fronts seams. At the center front there is a small bend going in under the bust, and at the side seams there’s another, making the seam run in a bend, and then changing direction after the bust and running straither over the stomach. This way of sewing will make the bust stay better in place, allowing for bust support without lots of sturdy layers. But the bust will have a rounder form and not as much steadyness as a garment with lining.

I did however put in a narrow strip of linen around the neck opening on the inside, to avoid it getting stretched. There is plenty of ways to make hems sturdier, such as a narrow strip of fabric, running or stab stiching or using another layer or quality of fabric on the inside, for example. You can find this in extant finds such as Herjolfnes and finds from 14th c London, as well as in paintings. It is an easy way to finish of your garment, make it last longer while being historically made.

The side lacing is made with sewn holes and a lucet braid in plantdyed wool thread. A wool thread will be a bit stretchy, and wont run as smoothly as silk, which makes it a bit slower to lace, but the cord will stay in place. On this photo you can see the lacing which starts by the sleeve and reaches to the waist seam, a gap were the shift is visible (did I have to much good food this winter?) and also some mending done on the sleeve. After the waist seam I tie the cord (I lace it from sleeve to waist) and the skirts are opened another 15 cm to allow for easy undressing. The skirt is not laced, it stays closed anyway, and by sewing some folds in the sides, the opening will not be very visible.

A note on fitting a dress like this:

I always make a fitting for every single item I make, and that is especially important if it is supposed to be tight fitting. I do have a basic pattern, drafted on my own body (a toile) but after I have basted the pieces together I need to try them on before sewing the garment. Every fabric you work with is slightly different, some more stretchy, some supportive and stiff, and by trying the pieces on you can adjust the garment to your taste.

The method for adjusting and fitting a dress like this is the same as I use while making a supportive upper body toile, and you achieve the support by taking in the upper body in the sides and front, sometimes also by stretching the shoulder seams upwards a bit.

A front laced kirtle is a bit easier to adjust to a bigger bust, but you can make it work with a side lacing as well, just remember to make the same adjustments to the laced side as the sewn together side, and maybe lacing it double one turn just below the bust for greater support.

For a complete outfit; linen shift, wool hose and leather shoes under the kirtle. A simple belt to hang the money purse from (change is very important for todays trader) and a veil on the head. Here I have a simple cap under the Great Veil, to have a base to pin it on. The veil can then be worn in many different ways, depending on how you like to wrap or fold it. 2-3 brass pins secure the veil to the cap under it.

Whoho! Finally documented this dress a bit, so now I don’t have to feel “bad” about forgetting it all the time. As you have noticed, this is not a complete step-to-step tutorial but rather a post with guidiance if you want to make a similar dress.

Many readers ask me to share more sources and such material on the blog, but according to copyright laws I am not free to post all the stuff that inspires me on the internet, and therefore you will often find links, reading tips and pinterest notions where you can find artwork and resources of your own. Hope you understand my take on this!

 


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Medeltidsveckan i Visby 2019

(This will be in Swedish, since I am mostly talking about workshops held in swedish during the Medieval Week)

Vill tipsa om årets kurser under Medeltidsveckan, eftersom jag är superpeppad på Visby och längtar efter en till vecka med massor av härliga människor, medeltid och nya upplevelser!

Jag har mina favoritkurser på Kapitelhusgården som vanligt (boka i förtid- de brukar vara fulla!) med mönsterkonstruktion av tajt sittande plagg (tisdag morgon), ärmar (onsdag morgon) och grundkursen i brickbandsvävning (fredag morgon). Kurser jag älskar att hålla, och som är fulla med kunskap, inspiration och nya vänner!

Nytt för i år är att jag också hänger på marknaden med tältet och har ett litet försäljningsbord i Craft Hives hörna av marknaden. Förutom bra hantverksmaterial och lite smycken kan ni titta in med hantverksfrågor om ni behöver tips i sömnaden, och på måndag + torsdag eftermiddag har jag en inspirationskurs i brickbandsvävning- perfekt för dig som provat eller gått grundkursen men vill komma vidare med vävningen och få ny inspiration.

(Just nu förbereder jag kursen genom att provväva lite band med individuellt vridna brickor, bläddra i ny fantastisk litteratur och packa silkestråd. Jag tänker mig en kurs med kantvävning, svårare mönster, olika tekniker och givetvis ett eget projekt efter deltagarnas intresse)

Visste ni förresten att den hemliga butiken har en egen webbsida nu med kalendarium? Sök på nätet så hittar ni den, och ps- den är jobbvänlig.

Ska du till Medeltidsveckan i Visby? Jag blir superglad av att få träffa bloggläsare, så kom gärna förbi mig och säg hej!


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Summer plans for 2019

It feels like the Summer Season has started now, and I am sewing, planning market tours and writing on new workshops and lectures. Weekends are mostly planned with market visits. Have my hands full, more or less.

As many of you know, Handcrafted History is much more than this blog: it is my business and main living! For me, the summer season is both fun adventures and lots of work. I travel through Sweden and into Finland and Norway too, and I will try to keep you updated with all the fun stuff happening! I might not have lots of time to write blog posts though; so visit my Facebook page HandcraftedHistory and my Instagram with the same name for more updates.

Here is my current schedule with all markets and events I’ve got planned. If you visit one of them- please come by and say Hi! I love meeting blog readers =)

May 11; SCA event V.Ä.V

May 24-26 Oslo Middelalderfestival

May 27-June 2 SCA event Doublewars

June 14-16 Hamar Middelalderfestival

June 28-30 Alnö Medeltidsdagar

July 11-13 Skellefteå Medeltidsdagar

July 15-21 SCA event Cudgelwars

August 2-11 Medeltidsveckan

September 6-8 Gunnes Gård

On SCA events, Skellefteå Medeltidsdagar and Medeltidsveckan I also have workshops planned, if you want to learn viking/medieval pattern construction or tablet weaving. At Gunnes Gård there will be a viking themed workshop, but what is not yet decided. You can also come by during events to have your own personal pattern made by me; but you need to book a time in advance!

 


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Easy ways to make your medieval clothing last longer

I really love historical clothing, and fabrics, and sewing and trying out new things… But I also think it is important to care for what you have, and make your historical garments last long and look the part. This is also some good advise to those new in the hobby, and to customers wondering how to care for their new garments. Basically; a post with “good to knows” and things I try to think about with my own wardrobe.

Here is my best tips to care for and wear your garments so they will last longer!

Only wash if needed.

Ok, linen garments used as underwear need to be washed often, and they withstand the wear of the washing machine for years. Don’t tumble them dry, hang them to dry instead.Really dirty clothing can be presoaked in water before washing.

Wool garments will last longer if you only wash them when they are really dirty, and instead hang them out to air after each event. Grime, dirt, food stains and blood on the other hand need to be washed out after each use; sometimes it is enough to only wash the soiled part but other times a good hand wash is needed for the whole garment. Use a detergent for wool, and cold/luke warm water. If you are machine washing your clothes, use the wool or hand wash program.

Don’t step on the hem.

It is easy done walking in a camp or climbing a stair, but it will wear out the hem or cause seams to rip.

If you are wearing long dresses and skirts draping on the floor, it means you portrait a person that have the time and money to care for such a garment, and doesn’t have to do heavy work, instead strolling around and holding up the dress with a hand or two. Look at historical paintings; all the dresses that pools on the floor or has a train is worn by ladies holding them up while walking.

If you have your hands full, hike up the dress with a (extra) belt around the waist.

Getting dressed and undressed.

Historical garments often feels differently on the body than modern ones, and many persons experience that they moves differently while wearing them. This is a que to the action of dressing to; don’t jump into your hose like you would do with a pair of sweatpants. Instead, take time to dress carefully, adjusting the garments so they feels good on your body.

Never jank jackets, tunics or dresses down, instead carefully slip them on. If they are tight, move them slowly on and always unbutton or lace up the parts needed. Buttons and lacing are not just for show, they are essential parts for getting the clothes on, and then creating a smooth fit.

When pulling a tight dress over the head, ask for assistance when dressing or undressing. After all, the highly fashionable medieval person would have help getting dressed.

Care for and mend garments at once.

Most modern people are not used to mending clothes, but rather throwing them away. Create habits after each event when you wash, air and mend clothing at once. Don’t leave dirty clothing laying in the wardrobe, it could attrach moths, and remember to mend holes and ripped seams at once, before the hole gets bigger.

Store your garments well.

Hanging light clothing is good, but heavy dresses and coats should not be stored on hangers, they may be stretched. Fold or roll them loosely and put them in the closet. I also like to keep my clothing in plastic containers to avoid moths, and take them out to air every once in a while (like, autumn and spring).

What are you using the outfit for?

Weapons practice, heavy work, sweat and dirt will wear your clothes out much faster than strolling around on events and markets. I have dresses in mint condition that are 8 years old, while a customer of mine completely ripped his garment up in under a year doing weapons training and fighting. Consider what you will use your clothing for, and consider doing dirty work in your undergarments or a sturdy kirtle made for the purpose. Switch to your nice clothing afterwards or for shows (just like they did during the medieval times).

A sturdy and practical dress, made a bit shorter and with good stretch for moving