HANDCRAFTED HISTORY


7 Comments

Research post: Medieval straw hats

Hand braided and sewn straw hat

Introduction: Straw hats of different shapes caught my interest a while ago, and I did some research on them. They appear in art from around the 13th century onwards while changing design over the centuries.

My thoughts are that they are mainly seen in rural landscapes and working conditions, with farmers and labourers working outside. They also appear on travellers, commoners being outdoors, harvest time etc. Some examples exist of straw hats on higher social status persons (but the artwork might be allegorical or symbolic rather than contemporary portraits).

Based on what I´ve seen in the artwork, I believe the straw hat to have been in use in a similar fashion as today; as an outdoor option for sunny weather, mainly to act as a sun barrier. They are often depicted in manuscripts like The Labours of the Months (Medieval calendars) during field labour in June, July and August on both men and women. Decorations are scarce, with the occasional headband in black or some other neutral colour the only decor visible.

15th-century harvesting woman

Fashionable shapes? In art, the straw hat appears in many different forms. Some shapes seem to have been used for longer amounts of time (like the round one with a brim or the slightly unshaped hill form) while the conical shape of the 13th and early 14th century (seen in the Maciejowski bible) seems to be out of fashion later.

Maciejowski bible 13th century

During the second half of the 15th century and onwards you can spot a greater diversity in hat shapes and design, possibly mimicking the fashion for headwear during this period. The late 15th century is, after all, a rather crazy fashion period with lots of options in sizes, shapes, designs and silhouettes! During the 16th century, crowns with a flat top and flatter-shaped hats became more common in the artwork I have looked through.

1519-28 man harvesting wines

The artwork in this blog post is mainly collected from today’s Germany, England and Italy, but this excellent webpage has a collection of more hats in period artwork if you are interested.

http://www.larsdatter.com/strawhats.htm

Differently shaped straw hats made by Handcrafted History

Materials: Based only on the artwork, it is not possible to determine which kind of straws were used to make hats, and it might also have depended upon local traditions and what material was readily available to the artisans. It is not impossible to weave or braid straw yourself even if it takes practice to make it look good, and since the material is available for free in most areas I think it likely that these hats were commonly made in the local community rather than imported. Most hats are also seen on workers in the field (though the occasional more fashionable straw hat appears in city settings), supporting the theory of local manufacturing.

Detail from the Merode Altarpiece, Robert Campin
Book of hours, Morgan Library

Different kinds of straw available today:

Wheat straw is soft, shiny (and if you ask my horse, super cosy come winter) and very possible material for hats, at least in those parts of Europe cultivating wheat regularly. Oat straw I have no handcrafting experience with, but the horse likes it in his bed, and there’s always some oats left to munch on. Barley was a common grain in Sweden during the Middle Ages and is a rather stiff and durable straw, like rye.

Rye straw is a traditionally used material in Sweden for making straw crafts because of its length and durability, and rye is a hardy crop. For handcrafting material today, rye is being grown for its straw and harvested before giving grain, whereas the medieval straw was probably taken during the grain harvest.

Wheat straw hats made by Handcrafted History

One important difference between the straw today versus medieval straw is the mechanical machines munching up straw during harvest, making it usable mainly for animal bedding or farming. Before machines took over, the harvest was done by hand and a scythe takes off the straw at the ground without crushing it. After the grain was collected, you would have great amounts of material. Very handy!

Wild straw from grass and reed are easily available, free and often quite easy to use for braiding straw hats. The downside is you have to venture out into the wilderness to take it, and the straws are not as shiny as wheat. I have found that grass straw may be sturdier though.

Braided and sewn straw hat.

How were straw hats made? Contemporary artwork indicates different methods of use for making straw hats. There seems to be evidence for different kinds of weaving techniques and patterns (when you braid the straw together until you have formed a whole hat) as well as sewn hats with braided straw tape as a base (when you first make a braided tape and then sew it into a hat shape). The find from the 15th century looks to be made from woven or braided tapes, layered on top of each other.

Several straw hats on female field labourers

I have only found one extant find of a straw hat from today’s Germany, rather beaten up but at least you can see what it is. Do you know of any more finds? I would love to check them out!

Kempten, Germany 15-16th c

Conclusions if you want to sport a straw hat yourself:

Go for a hat made with natural straw, such as those mentioned above. Handwoven in one piece, or made out of braided tapes sewn together depending on what you can find. Pick a shape that fits in with the period you would like to reenact, and don’t decorate it over much. Use your hat outdoors as a nice shade from the sun, but replace it with a smarter-looking hat or veil/hairdo during winter and indoor festivities.

Early 15th c Les Tres Riches Heures de Duc de Berry, round crown hat.

Some practical tips from this very experienced hat-wearer:

Straw hats during summer will shade you from the sun and help you avoid sunburn and heatstroke. If it is really hot, use a cap, coif or linen wrap drenched in cold water under the hat. A ribbon may be pulled through your hat at the base to hold it in place on your head, or you could use pins to secure it to your linen layer underneath. If your hats get a bit crooked or bent, spray it with some warm water and set it to dry in the shape you want.

Harvesters, one man is wearing a straw hat, Tacuinum Sanitatis

Do you feel the need for a good straw hat? I am currently making and selling different models; check out my page with hats to look at different models and order. This last bit is totally advertising my own business. Yep. Send me your money.

16th century female worker
Deutsche Bibel, 1463


1 Comment

Lacing on medieval dresses

Lacing is a really easy solution when you would like to make a tightly fitted garment and need an opening to be able to get in and out easily. During the medieval period, lacing comes and goes as a popular fashion and practical solution choice, so if you aim for a historically believable garment make some research first to determine if the lacing is the best option!

Historical garments may also be closed with fabric or metal buttons, hooks and eyes, pins or a regular whip stitch.

spiral lacing with a lucet woven wool cord, on a 14th century dress

Lacing can be seen on male and female clothing, but today I wanted to show you how I make lacing on a dress. The most common lacing method is spiral lacing; one cord for closing the open space by going through lacing holes spaced a little uneven from each other. This is easy and quick, and you only need one cord.

Fastening the lacing; a double round at the top prevents gaping.

To unlace; thread the point back again, or as below: use a loose knot at the start of the lacing (at the bottom) and unravel the lacing from the bottom up.

Use a knot at the start of the lacing, on the inside of the dress.

I place the lacing holes like this; the first two and the last two are aligned but the rest is spiralled. This gives you a tighter lacing, that looks better and is historical. By making the first and last pair even you will get the front panels even to each other. This kind of lacing can be seen in paintings by Weyden for example.

Lacing holes needs to be quite close to each other; between 1,5 to 2,5 on one side, depending on the fabric and the amount of support you need. A tighter gown supporting a heavy bust needs a closer lacing, while a looser garment might have more space between the holes.

To make lacing holes I use a sharp awl to make a small hole, and then a fitting thicker awl in metal, wood or bone to make the hole bigger. I do have real awls, but since they seem to always be “somewhere else” a bunch of different objects has been used; needle binding needles, hairpins, chopsticks… You don’t need anything fancy, was my conclusion. Yeah…

After the hole is made the right size, I sew around it with a buttonhole silk thread or a waxed linen thread (depending on social status, period, colour etc) I never bother with any fancy stitch, just sew around like this, and cover the hole equally with thread. Practise makes perfect; don’t bother if your first holes are a bit uneven, if you start from the bottom and work your way up they will look really nice by the time you reach the area others actually look at.

A tip for making the hole more even is to first sew one round of stitching around the hole, and then another turn, dense enough to cover any gaps.

On the inside of the lacing, you can see a thin strip of tabby woven, sturdy linen fabric. I always use a piece of fabric on the inside (if I don’t have a whole lining in place) to strengthen the edge and make the lacing look better. You can use linen fabric scraps: cut it in a straight piece, fold in the raw edges and sew in place with whip stitches or slip stitches.

I prefer to make the cord in either wool or silk thread. The wool thread is cheaper, flexible and will stay put. The silk one gives a nice shine, is very strong and easy to lace with. Decide based on your project. To finish the cord (this one is done with a lucet but they could also be braided or tablet woven) I like to use a point. That will make it easier to lace the dress, but if you don’t have one a thick needle will do the trick too! Just thread the cord on a needle, and use that to lace yourself in. Another option is to make a cord long enough to just loosen up, without having to lace up the whole garment.

the green dress in the tutorial